From the Winter 2002 Issue
REAL LIFE
The
IT Factor
by Francis Hoi
“You
don’t know what you’re looking for but when
you see it, you know it.”
Laura, 16, drops her bulging
Mountain Co-op knapsack onto an empty seat of the Kiss
92 Theatre in Toronto, where auditions have begun for
Popstars 3. She adjusts her plain baggy T-shirt, and with
four other star wannabes, turns to face the judging trio
who will determine her immediate future.
Her practical flat walking shoes, green windbreaker and
mussed-up brown hair don’t exactly scream “pop
icon,” but maybe her voice will. Chest out, chin
up, she levels her eyes on the only three people who matter,
and for 20 seconds, as if in a condensed version of Becoming,
she is the centre of everyone’s universe and is
transformed into a super-diva. She belts out Under the
Bridge (a cappella) by the Red Hot Chili Peppers, hoping
with every note that she has what the judges are looking
for. After 16 long seconds of fate-altering debate, Mad-Dog
and Billie, two popular radio station DJs, and Global
News reporter Cheryl Hickey look up and smile at the five
sweaty-palmed hopefuls. Billie says, “Thank you
guys but we won’t be asking any of you to stay.”
After screening thousands of Popstar potentials, Mad-Dog
has become somewhat of an expert on honing in on what
makes someone stand out. “We’re not looking
for anything specific,” he says. “We’ve
had people who sing great who don’t make it because
all they do is stand there and sing and then we’ll
choose someone who won’t necessarily have the best
voice in the room but they’ll have a certain glow
coming off of them. You don’t know what you’re
looking for but when you see it, you know it,” he
says. “They have the it factor.”
We know what he’s talking about. Hayden and Natalie
have it. Josh has it. Gwen, Alicia and Beyonce definitely
have it. However, if it seems that only the gorgeous or
svelte can have it, think Mike Myers, Chris Rock and Oprah,
they all have it goin’ on, too.
There are agents and talent scouts who have made it their
business to spot that something special. And it seems
that what’s on the outside has very little do with
it. At BMG Music Canada, home of Avril Lavigne, Pink and
Treble Charger, Keith Porteous, VP of A&R (Artist
& Repertoire) says, “The one thing that I know
successful artists share is a compulsion and single-mindedness.
It is something that is in them, they are driven and don’t
seriously consider other things.”
"Hayden,
Natalie, Alicia and Beyonce all have that ‘special
something’ that some call the “it” factor."
His
25 years in the “business”—as an artist,
producer, manager and owner of an indie label—has
given him insight into where it comes from. “I’ve
been involved with artists who had very specific visions
of where they wanted to take their creativity and because
of their determination and perseverance they eventually
developed into established stars,” he says. “In
the beginning, Sarah MacLaughlin didn’t sell many
records even though she had a great voice so she continued
to develop her talent and her writing, and look at her
now.”
Keith says he has also known people who are very gifted
but didn’t possess the courage to face criticism
so were easily discouraged. “It’s that courage
that carries a lot of people forward and sets them apart.
It isn’t a world where the most naturally talented
rise to the top, it’s the ones who work hardest,”
he says.
Cynthia Cully, head of the Ford Modeling Agency in Toronto,
is constantly on the lookout for the qualities that set
people apart. “I may see a hundred people in a day
and out of the hundred there might only be two we’re
interested in. That’s because the it factor comes
into play,” she says. “For example, there’s
a girl here, Jodie, who is five foot six and a half. She
does not fit into the strict criteria of the mandatory
five foot eight inch minimum height requirement for female
Ford models, but she has something extra. It’s in
her eyes and in the way she carries herself. It’s
the way she expresses her energy.”
Cynthia, a former model, looks comfortable in her running
shoes, black sweats and make-up free face. “It’s
not just being beautiful or being the loudest that gets
you noticed,” she says. “It’s a presence
that someone has. Some people have it naturally and others
can develop it. Not every model has it to start with yet
they can become very successful.”
“We
have girls and guys who come to us and are super shy.
A big part of it is personality, especially confidence,
so we’ll direct them into drama or public speaking
at school so they get comfortable talking to people. Confidence
doesn’t mean arrogance. It’s when you feel
good about yourself. It’s understanding who you
are and what you are,” she says.
According to Cynthia, you can create the it factor by
concentrating on goals and by taking your natural abilities
and instincts and grooming them. “It isn’t
all about aesthetics,” she says. “It’s
about who you are and learning to be the best at everything
you go for. Sure, I think some people are born leaders
but I think leaders can be developed by focusing on goals
and what you need to achieve them.”
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